![]() In addition, they founded the ASCAP Foundation Musical Theater Songwriting Project, a program dedicated to training young songwriters. That is, until the day he wakes up to discover his. They were Dramatists Guild Fellows, received a fellowship at the O’Neill National Music Theater Conference, and attended the Johnny Mercer Songwriting workshop. Howard Barnes is a perfectly average American guy: he likes baseball, grilling, and his daily routine. Michael and Chris are members of the Dramatists Guild and ASCAP, and are proud alumni of Carnegie Mellon University. Their other projects include THE NOTEWORTHY LIFE OF HOWARD BARNES (developed at the O’Neill Music Theater Conference and the Village Theater), ORPHIE & THE BOOK OF HEROES (The Kennedy Center), THE ENLIGHTENMENT OF PERCIVAL VON SCHMOOTZ (commissioned by the Canadian Music Theatre Project), JUDGE JACKIE JUSTICE(Pittsburgh CLO), DANI GIRL (Exit, Pursued by a Bear licensed by Samuel French), GOLDEN GATE (Williamstown Theatre Festival), HOMEMADE FUSION (London’s Ambassadors Theater, Edinburgh Fringe Festival) and JUNIOR CLAUS (Orlando Repertory Theatre licensed by Dramatic Publishing). Meet Howard Barnes, a perfectly average man.at least until the day that he wakes up to discover that his life has become a musical. C G Fm D F A Em Dm A Am Chords for Stay (from THE NOTEWORTHY LIFE OF HOWARD BARNES) with song key, BPM, capo transposer, play along with guitar. They also currently serve as songwriters for VAMPIRINA, an animated musical TV series airing on the Disney Channel and Disney Junior which has reached over 49 million viewers in 115 countries. ![]() Their most recent musical, ROMANTICS ANONYMOUS, debuted to rave reviews at Shakespeare's Globe this fall. Together they embark on a wacky, mind-bending, emotional journey through the world of musical theatre, as Howard learns to embrace the music in his everyday life. Between them, they have received the Burton Lane Award, the Harold Adamson Award, the KC/ACTF Musical Theatre Award, a NYFA Fellowship, and numerous ASCAP Plus awards. So, you’ll want to see it soon.Ĭoming to the stage in May is “The Spongebob Musical.” See the many various shows that have one weekend runs at Kooman (music) and Christopher Dimond (book & lyrics) received the 2013 Fred Ebb Award, a 2010 Jonathan Larson Grant, and are the first recipients of the Mary Rodgers/Lorenz Hart Award and the Samuel French Next Step Award. “The Noteworthy Life of Howard Barnes” is only on the BDT Stage through April 23. Whatever the point, BDT Stage knocked it out of the park with this one, but it is a short run. Or, perhaps it’s just a good time complete with singing, dancing and jokes. I wanted him to realize that he was the star of his own life.Īnd maybe that’s the point of “The Noteworthy Life of Howard Barnes,” to show us all that we are the star of our own story. However, as the musical progressed, I became a cheerleader for Howard. At first, he was this annoying, musical-hating, cubicle dweller. Howard, played by Chas Lederer, grew on me, which is what I think is supposed to happen. Howard Barnes is a perfectly average American guy: he likes baseball. I particularly loved the ode to “Chicago” in the form “Commitmentphobic,” a song and dance number that had me singing along. Village Theatre The Noteworthy Life of Howard Barnes. Whereas a longtime theater buff may find some “easter eggs” like lines from other musicals subtly thrown in, those who rarely attend musicals (like Howard) will get the obvious references to plays like “Cats” and “Annie.” “The Noteworthy Life of Howard Barnes” is a play inside a play, and while Howard is generally confused about what is happening, this is an ode to musicals. Actors & Performers Howard: Male, 28-35 Maggie: Female, 30-40 Von Schwartzenheim: Male, 50-79 Grace: Female, 25-35 Ensemble: All Genders, 18-64. One morning, he wakes up to find that his normal life now involves a lot of music and dancing, and he is at the center of all this hullabaloo. The story follows Howard Barnes, a stereotypical guy in his 30s, living in a sort of “How I Met Your Mother” New York apartment. It can even feature a few swear words, which, “The Noteworthy Life of Howard Barnes” does. However, it can be fun, witty, and a bit naughty. There is a genuine feeling that musical theater is something attended when taking mom or grandma out for their birthdays. After all, my generation, the forty-somethings of the world, need to feel like there is musical theater being made for us, and I feel this one fits the bill, the playbill that is. So, it was refreshing when I read that BDT Stage was bringing something different, something I hadn’t seen, to the stage. Photo by Glenn Ross – The cast of “The Noteworthy Life of Howard Barnes” at Boulder Dinner Theater.
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